Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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John William Waterhouse
The Remorse of Nero after the Murder of his Mother

ID: 00454

John William Waterhouse The Remorse of Nero after the Murder of his Mother
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John William Waterhouse The Remorse of Nero after the Murder of his Mother


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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | Maidens picking Flowers by a Stream | Penelope and the Suitors | Pandora | Nymphs finding the Head of Orpheus (mk41) | Spring Spreads One Green Lap of Flowers |
Related Artists:
Maron, Anton von
Austrian, 1733-1808 Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau
Mauritz Lindstrom
(26 April 1849 - 11 December 1923) was a Swedish painter. He was born in Västmanland and studied at the Royal Swedish Academy of Arts in Stockholm, in 1869 - 72. He went to Munchen and Paris to continue his studies, and lived in England from early 1880s to 1889. Lindström is best known today for his landscapes.
jonathan miller
(born July 21, 1934, London, Eng.) British director, writer, and actor. After earning a medical degree at Cambridge University, he made his professional stage debut at the Edinburgh Festival in the hit satirical revue Beyond the Fringe (1960).






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